UNIT 20 – Single Camera Techniques
Our next task we shall be covering the following criteria for Learning Aim A:
P2 – Explain the use of Single Camera Techniques
To fulfil this part of the criteria, in teams of four, you will be producing your own moving image examples to illustrate different single camera techniques, as well as providing some written information. You will be blogging this information.
For each technique below, devise an inventive and interesting way of shooting it. Also, consider the reason for using the technique, as well as the meaning / motivation behind using it.
Shot types:
Establishing shot
Master shot
Tracking shots
Cutaways
Shot framing:
wide shot
mid shot
medium close-up
extreme close-up
point of view (POV)
Filming conversations:
over-the-shoulder angles
three angle shooting
shot-reverse-shot and the 180-degree rule
shot composition and framing.
Camera angles:
eye level
bird’s-eye
high angle
low angle
Dutch tilt
Camera movement:
handheld camera / shoulder mount / Steadicam®
dollying, trucking and panning
zooming and consideration of the effect on the angle and framing of the shot
dolly zoom or ‘trombone shot’
focus pulling
Maintaining continuity:
ensuring consistent scene set-ups
ensuring consistent lighting (lighting set-up or awareness of natural light and weather conditions at different times of day)
use of tripods to ensure shot stability and consistent positioning.
Shooting for eye-line matching.
EXAMPLE
Establishing shot
Provide a description – Usually an extreme long or long shot offered at the beginning of a scene or sequence providing the viewer with the context of the subsequent closer shots.
Embed your own moving image shot example –
Why would you use this technique? – At the start of a film or video it is generic for establishing shots to be composed of an external location, which usually establishes the geography, time of day and often the time of the work. However, establishing shots can be used to indicate to an audience a shift in location or time during the body of the film. Internal establishing shots may indicate the importance of an interior. For example; the TV sitcom Friends (1995-2005) cuts from the opening title sequence establishing skyline shot of New York, to an exterior shot of the characters’ regular meeting place ‘Central Perks’. This shot need only be filmed once and can be used in every episode
Establishing shots –cut from NYC skyline to Ext. of coffee shop
How may the technique be effectively used? – The effectiveness of this technique can often provide an audience with a sense of familiarity – for example, a wide shot of the Eiffel tower immediately lets the audience know that the action is taking place in Paris; an exterior shot of Central Perks provides them with the warm feeling of the familiar.
When shooting your material you must also consider the focal distance, depth of field, lens aperture and shutter speed. For a reminder of what these are please see the next post.